BRITISH VOICED AMPS

Don't let the name scare you, these are amps for many genres, not just Rock & Roll. In fact, many of these amps ooze Nashville tones - chime, twang, gritty overdrive. Blues, pop, and alternative too. Choose your power and your features and let them voice your style.

P5 FX

The P5 FX was designed with the delay and reverb player in mind. The buffered, parallel effects loop will work perfectly with these type of effects while maintaining your distortion and tone shaping pedal board out front. This is a relatively clean amp that will go from spanky clean to crisp and crunchy with the gain or guitar volume. The tone shaping is thick on the bottom and sparkly on the top with a healthy mid-scoop to even things out. The result is a very full sound from a very small amp. Built to be quiet and effective with all sorts of accessories, there’ll be no shortage of tones to build on from this humble, yet robust platform.

All Tube, Single Ended, Class A, Cathode biased EL84 (5W RMS)
12AX7 Preamp and buffered Parallel FX Loop
Preamp Voiced M or V for London or Dartford styles
(2) 12AX7, (1) EL84
Solid State Rectifier
Gain, Treble, Middle, Bass, FX Send and Return Volume, Master Volume Controls
8 ohm Speaker Output
Hammond Power Transformer
Cab Dimensions – 18”W X 10”H X 9-1/2”D
Anodized, Engraved Aluminum Face Plate
$769 w/ New Production Mullard Tubes, Mercury Magnetics Hand-wound Output Transformer, Sozo/Sprague/F&T Caps
$699 w/ JJ Tubes, Magnetic Components Output Transformer, Mallory/Illinois Caps
Cabinet delete = -$170

V6

The V6 is British in every sense of the word; Vintage like no other could be yet versatile enough for modern players. The pentode channel is capable of going from ultra touch sensitive cleans to saturated overdrive with the twist of the volume knob on your guitar while the triode channel is more subdued – clean to crunchy but will take pedals like the best of them. If that isn’t enough simply plug the guitar into a splitter box and run both channels in parallel – independent controls mean you can blend the characteristics and tone from each channel separately!

All Tube, Single Ended, Class A, Cathode biased EL84 (6W RMS)
Two Independent Channels, Pentode (EF86) and Triode (12AX7)
(1) EF86, (1) 12AX7, (1) EL84
Solid State Rectifier
Independent Input, Volume, Tone Controls for each Channel, Master Volume and Global Treble Cut
8 ohm Speaker Output
Cab Dimensions – 18”W X 10”H X 9-1/2”D
Anodized, Engraved Aluminum Face Plate
Includes A/B pedal
$859 w/ Electro-Harmonix EF86, New Production Mullard 12AX7 & EL84, Mercury Magnetics Hand-wound Power & Output Transformers, Sozo/Sprague/F&T Caps
$719 w/ Electro-Harmonix EF86, JJ 12AX7 & EL84, Hammond Power Transformer, Magnetic Components Output Transformer, Mallory/Illinois Caps
Cabinet delete = -$170

V6 OVERDRIVE

This amp takes the V6 and pushes it to the max! This is a single channel crunch rhythm and lead amp. Still capable of clean tones but much less headroom than the V6. This amp also adds a Treble/Bass tone stack with a healthy mid scoop for a fuller sound. This is an amp that bridges the gap between a British classic and a modern monster!

All Tube, Single Ended, Class A, Cathode biased EL84 (6W RMS)
Pentode (EF86) input and high gain 12AX7 Preamp
(1) EF86, (1) 12AX7, (1) EL84
Gain, Treble, Bass, Master Volume and Treble Cut Controls
8 ohm Speaker Output (4/8/16 Available at Extra Charge)
Cab Dimensions – 18”W X 10”H X 9-1/2”D
Anodized, Engraved Aluminum Face Plate
$829 w/ Electro-Harmonix EF86, New Production Mullard 12AX7 & EL84, Mercury Magnetics Hand-wound Power & Output Transformers, Sozo/Sprague/F&T Caps
$689 w/ Electro-Harmonix EF86, JJ 12AX7 & EL84, Hammond Power Transformer, Magnetic Components Output Transformer, Mallory/Illinois Caps
Cabinet delete = -$170

M10

M10 has an aggressive preamp and has been voiced for humbucker guitars. A Blues/Rock switch allows you to revoice the preamp less aggressively for a warmer, cleaner tone and provide better response with single coil guitars on the Blues setting. With a full Treble, Middle, Bass tone stack the tone shaping is made easy so you can match your guitar and your cabinet perfectly to the amp and have a finely tuned, high performance setup. The M10 is a Single Ended Class A EL34 output section driven by a dual 12AX7 preamp to provide a British flare with a warmer, compressed drive from the preamp and some aggressive power amp distortion from the EL34.

All Tube, Single Ended, Class A, Cathode biased EL34 (10W RMS)
Dual 12AX7 Preamp, (3) Gain Stages with Cathode Follower
SS Rectifier
Blues/Rock preamp voicing switch
Gain, Treble, Middle, Bass, and Master Volume Controls
8 ohm Speaker Output
Mercury Boutique™ Axiom® Hand-Wound Transformers
Cab Dimensions – 18”W X 10”H X 9-1/2”D
Anodized, Engraved Aluminum Face Plate
$869 w/ Premium New Production Mullard Tubes, Sozo/Solen/F&T Caps
$829 w/ JJ Tubes, Mallory/Illinois Caps
Cabinet delete = -$170

SS 10

The Cap'n! Crunch that is.... SS stands for Studio and Stage. This amp is meant to bridge the gap between a studio amp and a small stage club amp. Push-pull output, but low wattage. Running true class A, this amp has some warm tones. With a unique preamp and tone stack, this amp is highly sensitive and will push the output stage hard. As always, all components were carefully selected to make the best possible design of the highest quality. Still a very vintage amp, this one brings you into the 60’s and beyond.

All Tube, Push Pull, Class A, Cathode biased EL84 (10W RMS)
12AX7 Preamp and Phase Inverter
(2) 12AX7, (2) EL84
Solid State Rectifier
Volume, Treble, MIddle and Bass Controls
8 ohm Speaker Output
Mercury Magnetics Hand-Wound Transformers
Cab Dimensions – 18”W X 10”H X 9-1/2”D
Anodized, Engraved Aluminum Face Plate
$869 w/ New Production Mullard 12AX7’s and EL84’s, JJ EZ81

EVO 18

This is THE AMP! Packed with all the tone you could ever want with no frills. This is British Crunch and Lead all the way! With a preamp which is similar to the smaller M10, this takes more features and a bigger, push-pull output stage and takes it to the stage. The serial effects loop is designed into the amp signal path so there are no changes in tone when it is in use or not. A footswitchable boost with it’s own mid-boost tone and gain controls allows you to have rhythm and lead set up with the amp only.

All Tube, Push-Pull, Class A/B, Cathode biased EL84’s (18W RMS)
Single Channel with Footswitchable Boost and serial Effects Loop
(4) 12AX7, (2) EL84, (1) EZ81
EZ81 Tube Rectifier
CTS Potentiometers, 5W Mil Spec Power Resistors and 2W Carbon Film Signal Resistors
Gain, Boost Gain, Boost Tone, Treble, Middle, Bass, FX Send Level, Master Volume
Global Treble Cut Control
Footswitchable (or panel switchable) boost, Footswitch included
Switchable 8 and 16 ohm Speaker Outputs
Mercury Magnetics Radiospares® Hand-Wound Transformers
Cab Dimensions – 20”W X 8”H X 8-1/4”D
Anodized, Engraved Aluminum Face Plate
Contact for quote

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IN DEVELOPMENT: CLASSIC 18

Lower gain, dual channel counterpart of the Evo, this amp uses preamp channels similar to the V6 - an EF86 Pentode channel and a 12AX7 triode channel. The EF86 channel is designed to be more of a clean to crunchy channel and the triode channel is meant to give more gain and an overdriven tone for crunchy rhythm or lead. The amp can be used as a dual channel amp out front simply by using the A/B pedal. And using the A+B function of the pedal you can get 3 channels!

All Tube, Push-Pull, Class A/B, Cathode biased EL84’s (18W RMS)
Pentode (EF86) input and high gain 12AX7 Preamp
Dual Channel, Dual Input with Channel Blend Switch
(1) EF86, (2) 12AX7, (2) EL84, (1) EZ81
EZ81 Tube Rectifier
CTS Potentiometers, 5W Mil Spec Power Resistors and 2W Carbon Film Signal Resistors
Independent Treble, Bass and Volume for each channel, Triode channel has Gain control
Global Treble Cut Control
8 ohm Speaker Output
Mercury Magnetics Radiospares® Hand-Wound Transformers
Cab Dimensions – 20”W X 8”H X 8-1/4”D
Anodized, Engraved Aluminum Face Plate
Includes A/B pedal
Contact for quote